A close look at the literary speedboat who is pacesetting professional book review in Ghana
An interview with Nana Fredua-Agyeman. By Darko Antwi
Introduction: Fredua-Agyeman
is a poet, and a leading Ghanaian reviewer who handles ImageNations and other
two blogs of world literature. In 2008 he graduated from the University
of Ghana with a Master of Philosophy degree in Agricultural Economics. He lives in Accra.
DARKO: Out of an avid reading habit, and a critical
mind, you have built a reputation as, what convinces many, a prolific reviewer
and critic. I’m curious. What inspires you to do what you do?
NANA: The need to contribute to the development of the
literary arts in Africa is my inspiration and driving force. We can’t continue
to complain and do nothing about that which we complain. I don’t know if I have
the reputation yet, or could even call myself a critic.
Besides, one can lead but one life. Books offer the
individual the opportunity to live several other lives and be whoever one
wants. Through books one can accumulate certain experiences and knowledge
impossible in one’s singular, non-lateral, life. Art is life, we must not forget.
DARKO: From Amma Darko to Martin Egblewogbe, and from
John Mahama to Kofi Annan, you have reviewed diverse Ghanaian authors of recent
publication. Do me a favour: Summarize the quality of modern Ghanaian
literature, if you can.
NANA: Modern Ghanaian literature, like any literary
epoch anywhere in the world, has the good, the bad, and the ugly. However, we
need all these to move forward. Time will save the best and kill the rest. The
names you’ve mentioned belong to the good and, in addition to Nii Ayikwei
Parkes, their works will stand the test of time. They love what they do and
spend time with it. Good writers know their craft and know its demands. They
know that the beauty of writing isn’t the name embossed on the front page of
the work but having someone commend you for what you’ve done. Amma Darko’s
social commentaries are what should be assigned to readers in Secondary Schools
by the authorities and not the Sweet-Valley-High kind of books they currently
read. John Mahama and Kofi Annan have shown that any African – leaders or
otherwise – who has led a great life must put his or her life’s work in books
to inspire others. I like what they have done even if I disagree with some of
the things they have done or they espouse. Martin’s writing shows that there’s
another way to African writing; that the African writer need not cocoon himself
or herself into a one-subject matter author or necessarily pretend to be the
voice of the millions of Africans. The African has the same capability to
question life, the universe, the metaphysical in his work just as Kafka, Mann
and others did.
Unfortunately, there are those who think too highly of
the things they do. They have no patience with the craft of writing; they are
eager to publish and so come out with something that has hardly been edited or
critiqued. They cover themselves in titles that put off any form of criticism.
This could mostly be found with that amorphous group called poets. The
anthologies they produce are weak, unfocussed, and most often prosaic. I don’t
exclude the novelists at all, but the poets carry with them that I-know-it-all
arrogance. What we need are hard-hitting critics. I might have failed here.
People should be told directly that what they are doing isn’t art or creative in
any form. I once expressed a negative view of a novel and I was attacked by
readers. But this is what we need, frankness.
DARKO: I assume; you come from a home of intellectuals. Your
parents must have encouraged your love for the arts. You have pioneered haiku
among your compatriots. You are excelling in criticism. With reference to your
poems at Akwantuo and other magazines, we can give you credit for outstanding
contribution. Yet I find something odd about you: That’s your science
background. Is your degree in Agric Economics; a distraction or a booster to
your literary pursuit?
NANA: I don’t think my parents could be described as
‘intellectuals’, as that word has come to represent. With a quasi-farmer for a
father and a Community Health Nurse for a mother, one can hardly say they are
intellectuals; they are both educated though and know the essence of good
education and do read. I still remember my mother reading Tender Fire and Beyond
Pardon. They silently support, and even revel in, my writings.
Is having a science background odd? Most Ghanaian writers
I know are science-biased. Writing is life and life is an amalgam of all
experiences; it’s not discrete like courses/subjects taken in school. In life,
the real life, there’s nothing like a Geography event or a Physics event; there
are just events one must face and to do so one must rely on all experiences and
knowledge. That’s what I do with my writing. For instance in Drunk Chromosomes of a Drunk I brought
both reincarnation and genetics together. Consequently, I do not see it as a
distraction; it’s, just part of my bundle of experiences.
DARKO: ImageNations has become a rich deposit of worldwide
book appreciation. On that ground, it is certain that your objective does not
limit you to Ghanaian literature. If that broad approach does not deny a
concentration of Ghanaian books, how helpful would it be to the progress of
Ghanaian literature?
NANA: The objective of ImageNations is to promote
African literature, or that’s what I pretend to do. When I started blogging,
book blogging to be specific, I found that there was a dearth of African books
on the lists of book bloggers. The only book that was likely to have been
reviewed was Achebe’s Things Fall Apart.
Incidentally, in 2009 – the year I started blogging – I had decided to read
mostly African books. The question was, should I complain of the
non-availability of African books among book bloggers or should I keep quiet
and dedicate my blog to it? I chose the latter. During this period I hardly
reviewed non-African authored books, though I read one or two. Later, I expanded
my reading scope to cover literary fiction, both African- and
non-African-authored. I took a decision to review them to attract readers to
the blog so that in their search they may find other African books I have
reviewed. If someone comes to read my review of War and Peace and discovers Mawuli Adzei’s Taboo or another, I would have served my purpose. It’s a way to
draw in readers who would otherwise have been put off by my singular objective
and who have, unfortunately, maligned literature coming out of the continent.
Thus, the strategy is similar to the carnivorous plant: attract and trap. I
hope this isn’t just theory but that it is working. I haven’t conducted any
research to find out; however, I know the most read blog posts are the reviews
of African books.
DARKO: I have a great deal of respect for your
professionalism. But when I draw reference from past debates at OGOV, I begin
to doubt your temper to sustain argument. You appear to me as someone who does
not go liberal to open discussion. You are too comfortable within the zones of
your sole-operative popular blog. It’s
obvious that in matters of critique, there are bound to be opinion differences.
Do you feel provoked when opposed? Or embarrassed when misunderstood?
NANA: I love debates; it’s the only way you can learn
from others. But one need not to rollover and accept what people say just
because they’re saying it. No. One has to purvey irrefutable facts if one wants
to convince another person in an argument; the mere regurgitation of what
others have said or written about won’t do for me. I like people who do
independent thinking of issues. This is what is required so that we can
question the status quo. However, this is the one thing people find it
difficult to do. I do succumb to reason and change my perspective when the
other person’s argument has shown the weaknesses and illogicality in mine.
I do recall the debate you mentioned. For me life is
complex. It isn’t a linear mathematical equation. That debate was about
polygamy and AIDS. It had been argued that polygamy lead to the spread of AIDS
and I had argued that it doesn’t and that polygamy, in and of itself, has
nothing to do with the spread of AIDS but that unprotected sex does. The logic
here is that if one is monogamous one won’t spread AIDS, but this isn’t true,
is it? We’ve seen several supposedly monogamous relationships destroyed by the
disease because one partner or the other had had unprotected sex with another
person outside the marriage. So there is no linear relationship between polygamy
and AIDS. I won’t reawaken that argument, only to say that I just won’t fall
and roll because the Church and some Western folks want us to believe that
polygamy (polyandry) is evil or uncivilised. So when the logic is lost, I feel
I have not communicated well, which saddens me but more often I feel the person
has taken an entrenched position, which makes me worry especially if that
position is fortified by religion or Western pronouncements and expectations.
We can mention several famous monogamous marriages that were monogamous only in
name: Bill Clinton, Rev. Jesse Jackson, etc.
I do attend programmes organised by other
organisations other than the Writers Project of Ghana, though I don’t do it
that often. I’ve observed that people are uncomfortable when opinions different
from the status quo are espoused. That’s what the world has made it. Words have
been used to prevent people from thinking. For instance, if you ask whether the
‘establishment’ is telling the truth on an issue, you’re described as a conspiracy
theorist. This designation, with its negative connotation, has prevented people
for interrogating events and statements. You are a ‘conservative’ if you
express your dislike for a thing or another. And because people want to be seen
to be ‘liberals’, and therefore progressive, they accept things they inherently
detest. I don’t want to be in the midst of people who only regurgitate and
cannot go a step beyond the status quo, in thought. Hence, I may be in a
comfort zone but it is a zone that helps me think.
DARKO:
In a radio appearance, you
were admirably introduced as someone who has the drive to read ‘every’ book. Standing at a novel per week, your
reading frequency is an exemplar to be praised. But looking at the rate with
which you read and re-read, I believe you are an interesting reader who has a
compulsive obsession. I think you need some clinical help. I wonder if you have
any time left for your private life!
NANA: I love reading; or more importantly, knowing.
The fact is the more you read and discover the more you realise that you know
less, which calls for further reading and searching. Yes, I will love to read
every book, important book for that matter. But do I have a compulsive
obsession to read to the point of it requiring clinical help? No, I truthfully
do not think so. Why am I saying this? I have read only one book this month
(September) – excluding the one I started last – and I am not experiencing any
withdrawal symptoms. I read less during my undergraduate and postgraduate
studies and also when I am very much into writing. I seem to be reading more
now because I temporarily suspended writing – writing here refers to poems and
attempts at short stories.
I also have a coterie of friends – a quartet that
usually dissolves into a triad – which meet once in a while to talk about life.
We pretend to dissect and ratiocinate over current issues to find out where ‘we
got it all wrong’. My family is a young one and you should see how the child in
me dominates when we settle to play. In fact, I postpone reading when the
children aren’t asleep and I have to wake up early if I have to cover some
pages.
DARKO:
I have studied your interest.
I know you to be someone who contributes to political commentaries. You have
accommodated diverse views in that regard. But may I know: If given the
opportunity, you would review politics rated literature like The Stolen Verdict, Chasing the Elephant into the Bush by Arthur Kennedy and Kwame Nkrumah: The Anatomy of an African
Dictator by Peter Omari? Why would you, if you would? And why not, if you
won’t?
NANA: Why not? I read every kind of book. I read and
reviewed Kwame Nkrumah’s Neo-Colonialism
the Last Stage of Imperialism and David Rooney’s
Kwame Nkrumah Vision and Tragedy. I read them when I wanted to know the man
Nkrumah from his own perspective and from another person’s. I reviewed Dambisa Moyo’s Dead Aid – Why Aid is not Working and
How there is another Way for Africa. So I will review them. However, I
approach such books differently. I don’t review them for their literary merits
but for the veracity of the issues raised and the originality and possible
effects of the ideas in them. In reviewing these books I interrogate the ideas,
the issues they raise and unlike fiction I don’t easily allow myself to be
carried along. I do this even with memoirs, like Kofi Annan’s Interventions – A Life in War and Peace.
However, some novels reflect the political reality of
the people more than these non-fiction books, which are usually politically
biased or motivated with the aim to discredit, defame, or as in memoirs, repair.
Works by Bessie Head, Nadine Gordimer, Ngugi wa Thiong’o, Ayi Kwei Armah are
political. But we need all these to appreciate and understand the issues.
DARKO: Over the years, you have reported and analyzed the major literary prizes. Leaning on your knowledge, let me drag the issue of politics: The Man Booker Prize has released its 2013 shortlist. The
Zimbabwean NoVoilet Bulawayo is on the list. Her book, We Need New Names has many things to say about Robert Mugabe and
politics in Zimbabwe. The Guardian, in no derogatory terms, says that it
[Bulawayo’s book] is ‘rooted in specific political realities’. Against Guardian's neutrality, do you think
that politics-centred books are a contamination to creative literature? Has
politics any connection with general literature?
NANA: Literature is life and since politics is about
life politics-centred books cannot be a contamination to creative literature.
It only becomes a contamination when the effects of bad or negative politics –
as in the emaciated people, diseases, corruption – become the only motif or
canvass of the author. When the story describes hungry natives with flies
landing on their eyelids waiting to be rescued by foreigners; when all that the
author does is to present pictures of the life of a certain group he or she
thinks is its voice. When an author refuses to interrogate further, to
psychologically analyse, to go beyond what everybody sees or to see the same
thing differently, when an author’s work is not different from the reports NGOs
send to their funders for more funding, that author would have failed and that
work would have negatively benefitted from that ‘politics’ he or she was trying
to play.
We don’t read Dostoevsky’s The Karamazov Brothers or Ayi Kwei Armah’s Two Thousand Seasons or even Ama Ata Aidoo’s Changes because they merely described events. They interrogated
philosophically, socially, intellectually a political issue. Tolstoy’s Anna Karenina dealt with the political
nature of marriage and the Church’s control over the state but he didn’t write
it just as everybody saw it – he interrogated it, just as Thomas Hardy did in Jude the Obscure. Dostoevsky’s Crime and Punishment has as part of its
theme the discrimination against the peasants and their abject poverty. But the
book went beyond mere paintings to psychologically examine the nature of crime
and what it could lead to. In fact, one might say that literature has
benefitted tremendously from politics. Most of the hard-hitting Russian and
German writers suffered politically and it offered them a keen insight into
human nature and thought. They didn’t become bitter writers or suddenly
transformed into the voice of the people as some writers are eagerly struggling
to become here; they became writers who philosophically and psychologically
examined the human condition. Primo Levi’s The
Periodic Table is not just a compendium of his experiences during the
holocaust; it’s a work of art. Literature is a work of art and a work of art must say more than what the ordinary person
sees, else it loses its artfulness. It becomes bland and dull.
Unfortunately, most politics-centred African novels
are no different from NGO reports and are written with an agenda – bash the
politician, especially the ones the West bashes and you shall be published soon
and be hailed as the voice of the people in major foreign newspapers. The
effects of negative politics are our reality; but they are only part of our
reality. We don’t have a singular reality. Why do people make it seem that
Africans have only one reality, which they must uniquely represent? And if
these authors want to represent that reality, shouldn’t they do so
artistically? Should it be plain and direct and bland? Is that what Bulgakov
did with his famous Master and Margarita?
Is that what Elias Canetti did with Auto
Da Fe? Anyone who has read Bessie
Head, Nadine Gordimer, Ngugi wa Thiong’o etc. will know that you can be
political and still be artistic. Try that excellent book, Wizard of the Crow by Ngugi wa Thiog’o.
DARKO:
Writers Project of Ghana is
an organization you associate. Can you please tell the role you play?
NANA: Writers Project of Ghana thrives on the
volunteerism of people with similar passions. For instance, both Goethe
Institute and Citi FM offer us physical space and airwaves, respectively, for
free because they believe in what we do. It’s on that same common interest and
in the spirit of volunteerism that I associate with the organization. I do not
have a formal role but I work as the convenor for the organisation’s Book and
Discussion Club. I also serve as its book reviewer. And I avail myself to other
assignments that would be demanded of me. We need such volunteerism to make
things work.
DARKO: In an interview with Geosi Reads, you said that
“Reading triggers the mind to
think farther and wider” As part of your favourite quotations, you cherish
Augustine of Hippo’s philosophy: “The world is a book and those who do not
travel read only one page.”
Great quotes! But the quotations alone might not influence a lazy fellow. Do you have any practical help or advice for someone who wants to start reading?
Great quotes! But the quotations alone might not influence a lazy fellow. Do you have any practical help or advice for someone who wants to start reading?
NANA: People should be both angered and motivated by that
prejudiced but frequently-quoted statement about hiding something from the
African by keeping it in the book. As I have said before, in this world, we can
only lead but one life. Books allow the reader to live several lives and
experience several things. It expands his or her understanding and the workings
of this world. To develop a reading habit, first start with a subject or genre of
interest. Then begin small, say ten pages a day. Keep to the ten pages and be
consistent with it. This will come to an average of 300 pages a month, which is
slightly higher than the average novel. Consistency is the key. Some say they
have no time but they don’t work 24/7. If you estimate the hours they spend
doing nothing you’ll marvel.
DARKO:
Thanks for your time on The
Street. So grateful!
NANA: Thanks for the opportunity.